NOVEMBER 2 EDITION
Kenny Chesney’s new book lands this week—exclusive excerpt and essay from coauthor Holly Gleason. Essayist Patty Ireland leans on everlasting arms. Poet Kevin Nance visits Aunt Lila's pear tree.
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A bowl of black-eyed peas, connecting to Lacy Snapp Black Eyed Pea poem, East Tennessee poet, Appalachian poetry Black Eyed Pea.

Black Eyed Pea

East Tennessee poet Lacy Snapp revisits the work that her hands, when little, could not yet do.

Lacy Snapp Black Eyed Pea poem | East Tennessee poet Lacy Snapp | Appalachian poetry Black Eyed Pea

Listen to this poem 2:46 min | Read by the author

Thirty years ago, I lived here, final pocket
of Southwest Avenue, road parallel to the train track
cutting through the shale crust 

of this small mountain.
That steel steed makes it my way, coming 

around like clockwork like some orange
peel parted from her homeland gently with thumbs
just to spiral back again at four a.m.

Four months I lived here as an infant,
my father would spend evenings on the front porch, my older

sister next to him, and me, baby
balanced on his left leg. Held together,
we’d gaze at the storm, wait for the train

watch traffic lights like some urban
shooting stars I was too young then

to wish upon. In the decades since,
my grandmother’s life filled this ancestral
home, built by her own grandfather 

in the 1940s, he laid the brick she’d later
carve her name into by the front door’s 

handle, careful bubble letters, I imagine
she held her breath to keep them
smooth. New Year’s day, caravan

of cousins parked along the dead end street
we’d eat red meat, mashed potatoes, 

collards, and black-eyed peas
for money, for the hope of a better year
as though vegetables could slingshot us 

from one social class to the next.
Each child was expected to do her 

part, a few bites to contribute what little
hands couldn’t yet do, but to me
they were bitter, salty morsels I avoided

so I’d bury the smallest bean
beneath a mound of starch, black-eyed

seed of luck a prayer
I hoped would sprout, hoped
that the one starling 

would be enough
as my uncle and father shoveled back piles 

of the folklore my great grandmother
carried in her from Shelton
North Carolina. In the backyard, 

they’d plant rows of runner beans
to feed us in the summer, chilly

first day of the year a distant memory
and I’d walk through the divots
between mounds as tall as my shins.

Reaching the end, I’d arch backward
and look up to green grapes 

overhead on the clothesline vine,
condensed and complicated
as star patterns, hieroglyphics of fruit

I could almost touch. Just
short enough, I’d need tiptoes
to pinch the lowest ones

between my thumb and pointer
finger, burst them like raindrops

split open by the sharp beak
of a bird, if my great-grandmother
could be embodied again

I know this would be her. 

Lacy Snapp Black Eyed Pea poem | East Tennessee poet Lacy Snapp | Appalachian poetry Black Eyed Pea

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Portrait of Lacy Snapp, a Tennessee poet, professor, and woodworking artist. She has shoulder-length dark hair, fair skin, and wears a tan shirt with maroon text. Lacy is smiling softly at the camera in a cozy indoor setting with gentle natural light.

Lacy Snapp is a poet, professor, and woodworking artist in East Tennessee, where she plans both university and community-based literary events. Finishing Line Press published her first chapbook, Shadows on Wood, in 2021; it connects qualities of trees to familial memories.Her work, including poetry, interviews, reviews, and nonfiction, appears inAbout Place Journal,The Ekphrastic Review,Appalachian Journal,Still: The Journal, Tupelo Quarterly,Appalachian Places, and the Women of Appalachia Project’sWomen Speakanthologies,among others.

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