The multimedia visual art of Ted Whisenhunt mystically conjures the totality of the South—our flora and fauna, our food and music, our people and communities—in strikingly original ways.

Two lifelong friends—one a poet, one a painter–talk about it all: labor, joy, and love; the value of slowness; the subtleties of structure; and how to “make it soft, make it low.”

Jim Crow dumped its worst on Lonnie Holley. But his globally recognized music and art prove how beautifully he survived the belly of that beast. Just don’t call him an “outsider.”

During a youth beset by polio and grinding poverty, Hattie Duncan learned a way of creativity that gave her a generous outlook on life and helped her become a beloved Southern folk artist.

Can the tradition of reviewing works of art continue in the Zoom era? Salvation South says yes, even if the production is virtual.

Harold Rittenberry Jr., an 85-year-old sculptor in Athens, Georgia, uses welding torches and saws to find the hope inside of scrap metal.