JUNETEENTH Special edition
Juneteenth: America‘s Unfinished Promise | Standing Alone at Vicksburg | Frank X Walker Reads “Amazin’ Grace” on Its 25th Anniversary | Kevin Tarver’s Poem For Colored Boys Who Still Dream
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Stories

Silhouette of a person falling backward against a soft rainbow gradient background, symbolizing vulnerability, struggle, and hope—accompanying Kevin Tarver’s poem "For Colored Boys" about Black queer youth and resilience.

For Colored Boys: A Poem

From Magic City, a lyric cry of solidarity against shame and silence.

Old Southern house with green trim, illustrating Daniel Wallace short story “Neighbor,” a Southern fiction about childhood loss and memory.

Neighbor

In this spare, haunting meditation, Daniel Wallace writes about how the specter of loss follows us from childhood into marriage, reminding us that every bond—no matter how fierce—must one day confront its own ending.

Portrait of Salvation South editor Chuck Reece in a dark shirt, seated against a plain black background.

Daniel Wallace Returns to Our Circle

As the “Big Fish” author’s tales grace our magazine once again, we invite you to join the Family Circle that keeps Southern voices—classic and fresh—alive and thriving.

Tattoo of a rose on a person’s arm, illustrating the Daniel Wallace short story “the Long Road Home Is Covered in Limpid Roses,” which explores an uncommon father-son relationship. Written by Big Fish author Daniel Wallace. Contemporary Southern short stories 2025.

The Long Road Home Is Covered in Limpid Roses

When your father is a legendary scoundrel and your own origin story is a punchline, what does redemption look like? Daniel Wallace answers, with his signature blend of dark humor and Southern surrealism.

Catfish swimming in shallow water, illustrating Jermaine Thompson poetry, In the Belly of the Catfish, and Birmingham poet poems exploring memory and family.

In the Belly of the Catfish

Between the pull of home, bodies of water, and the weight of memory, these two poems cast and retrieve.

Portrait of Salvation South editor Chuck Reece in a dark shirt, seated against a plain black background.

The Power and Grace of Second Acts

As more of us navigate the middle passages of life, we look to voices that honor the grit, humor, and hope of these years. This week, two Southern writers show us that second acts are not about fading away, but about blooming with purpose and grace.

A hand-drawn cross on notebook paper illustrating faith between Sundays, the new Diana Keough column about finding meaning in the everyday

Between Sundays

Award-winning journalist Diana Keough on how faith transforms as life unfolds—becoming less about certainty and more about showing up, holding space, and finding meaning in the everyday messiness that falls between Sundays.

The great Mississippi artist Dusti Bongé in her studio, illustrating Dusti Bongé biography, Mississippi women artists, and Ellen Ann Fentress essay—discover Bonge's legacy and creative ambition blooming late.

The Power of Blooming Late

When Mississippi’s Dusti Bongé turned to painting, she defied the limits set for women of her era, forging a path from Biloxi to the New York art world. Ellen Ann Fentress finds in Bongé’s story—and in her own—the urgency, satisfaction, and bittersweet cost of pursuing creative dreams in life’s second half.

Give My Poor Heart Ease, Bill Ferris interview, and Mississippi blues documentary—watch the film, see the Bill Ferris interview, and explore blues history.

Fifty Years of Ferris

As renowned folklorist Bill Ferris celebrates 50 years since the release of four landmark documentaries, we present those films and begin a series of interviews about the cultural connections that should unite all Southerners.

Tennessee poet Kory Wells stands outdoors holding her homemade washtub bass, illustrating her old-time music essay about embracing imperfection and finding joy on stage.

Live, for One Night Only

When a novice midlife musician makes her festival stage debut on a homemade washtub bass, she learns a little about old-time music. And more about embracing imperfection.

Sunset landscape with glowing campfire, evoking Rosa Castellano poem, family reunion poetry, and All Is the Telling-discover this moving family reunion poetry by acclaimed poet Rosa Castellano.

Going Home: Family Reunion

More than a century ago, in “The Second Coming,” Irish poet William Butler Yeats wrote, “the centre cannot hold.” But sometimes it does. This poem says so.

Illustration of Salvation South membership levels-Cornbread, Biscuit, Dinner Roll, and Red Velvet Cake-inviting you to join the Southern storytelling community, support Southern writers, and become a Salvation South member to help keep stories of mercy alive.

When Times Are Dark, Have Mercy

Storytelling is a merciful, hopeful act. The words of skilled writers with compassionate hearts can heal wounded people and communities. Our 2025 membership drive is here. Please help keep this home for such writers running for another year.

Virginia poet Sharon Ackerman's Appalachian verses capture Carolina wrens, bloodwort meadows, and climate change in evocative poetry that bridges generations and landscapes.

The Berry Behind the Brambles

Ackerman’s verses—rich in the landscapes of the Blue Ridge—bridge our generations, from a rickety shelf stacked with jelly jars to climate-anxious meadows.