COME IN AND STAY AWHILE

Stories

Smooth river stones in clear, flowing water with sunlight reflecting off the surface, evoking Mississippi’s natural beauty. In the upper right, the Salvation South New Poets Prize Honorable Mention badge highlights Jennifer Peterson’s award-winning Mississippi poems and her recognition as a Southern poet.

Every Place Is Home to Someone

This finalist for the New Poets Prize—also poet laureate for Hattiesburg, Mississippi—takes us on intricate tours of Saturday in a small town, the thin line between redemption and judgment, and how beauty and love unfold in everyday moments.

Illustration of a young woman in a flowing dress walking across a cracked, sunlit landscape with barren trees, symbolizing resilience and introspection in Southern poetry. Features the Salvation South New Poets Prize Honorable Mention badge, representing Karrington Garland’s award-winning, unpublished poems by a rising North Carolina poet.

Write It Out for the Both of Us

From a New Poets Prize finalist, four whirling lyrics on the body and mind.

Kentucky poet Emma Aprile, winner of the Salvation South New Poets Prize, smiling outdoors with trees in the background; featured in an exclusive interview and poetry collection for Salvation South, highlighting emerging Southern poets and contemporary poetry.

We Are All From Where We Are

Louisville poet Emma Aprile, winner of our inaugural Salvation South New Poets Prize, discusses her creative process, the landscapes that shape her work, and what it means to write from and for the South.

Vibrant orange with green leaves against a dark background, symbolizing new unpublished poetry by Kentucky poet Emma Aprile, winner of the Salvation South New Poets Prize; image represents contemporary Southern poetry about memory, family, and hope.

Fierce With Electric Love

The winner of our first New Poets Prize gives us three big-hearted, sharp-minded poems on holding tight, oranges in winter, and discussing impossibilities with a child.

Portrait of Joy Priest, featured in a Kentucky poet interview about her Horsepower poetry collection, highlighting Joy Priest Southern poetry and new poems.

…And I Sing

Kentucky poet Joy Priest shares, in this conversation with Chuck Reece, how writing became both her salvation and her rebellion.

Kentucky poet Joy Priest, author of "Horsepower" featured in Salvation South magazine—"The Only Way I'd Known," a new collection of poems exploring Black Southern resilience and mythic landscapes.

The Only Way I’d Known

From the nocturnal streets of Houston to the mythic fields of the Delta, Joy Priest’s poems bear witness to the moments that threaten to undo us—and the small, hard-won salvations that follow.

A striking image showing a barren, dark forest with a vibrant open door leading to lush greenery and flowers, symbolizing themes from At the Threshold of What Hasn’t Been Destroyed, a powerful collection of Mexican American poetry by National Book Award-longlisted poet Octavio Quintanilla.

At the Threshold of What Hasn’t Been Destroyed

Three stark poems from the National Book Award-longlisted Texan Octavio Quintanilla, filled with longing, displacement, and the fragile beauty of human connection.

Professional portrait of Texas border poet Octavio Quintanilla in a quiet indoor setting with minimal background featuring contemporary styling. Accompanies an interview with him that explores Mexican American literature and poetry crossing borders through themes of family and duality, highlighting the intersection of language and cultural experience.

Across the Borderline

Octavio Quintanilla’s roots lie deep in both South Texas and Mexico. And his work dwells between worlds—geographic, cultural, and emotional.

Illustration of wild violets accompanying and Thresh & Hold author Marlanda Dekine’s poetry, her National Poetry Month poems

We Have Always Been Here

South Carolina’s Marlinda Dekine testifies to fierce love—for the natural world, for self, and for a grandma’s lessons.

Respite for the Poor, Ruin to the Unpunished

Edison Jennings finds decay, tragedy, and the haunting echoes of forgotten Appalachian lives in two vivid poems.

Collage inspired by Harlem Renaissance artist Aaron Douglas's "The Creation," accompanying Christian J. Collier's poetry collection, "The Inheritance I'm Cloaked In," by the Black Southern poet.

The Inheritance I’m Cloaked In

From nine different bars in Hixson, Tennessee, to his grandmother’s cotton field, Collier’s poems map the Southern geography of memory and belonging.

A silhouetted tree branch against a starry night sky, accompanying the North Carolina poetry of Han VanderHart. Southern identity, poetry, and National Poetry Month.

The Song Starts There

Han VanderHart’s visceral verses weave together memories of country living, intimate relationships, and the confounding complexities of identity in the American South.

Han VanderHart, Southern poet and author of Larks, winner of the Hollis Summers Poetry Prize, and What Pecan Light, photographed with tattoos and a cat.

“Are We Not One Body?”

The North Carolina poet Han VanderHart feels power in the places where the stories of Southerners intersect—and believes that, by telling them courageously, we help each other heal.