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Stories

Smooth river stones in clear, flowing water with sunlight reflecting off the surface, evoking Mississippi’s natural beauty. In the upper right, the Salvation South New Poets Prize Honorable Mention badge highlights Jennifer Peterson’s award-winning Mississippi poems and her recognition as a Southern poet.

Every Place Is Home to Someone

This finalist for the New Poets Prize—also poet laureate for Hattiesburg, Mississippi—takes us on intricate tours of Saturday in a small town, the thin line between redemption and judgment, and how beauty and love unfold in everyday moments.

Two hands form a heart shape against sunlit foliage, symbolizing the tender connection between generations in West Virginia poetry, capturing the essence of childhood memories and family bonds in rural Appalachia through filtered sunshine and bokeh effects.

It Only Takes Ten Fingers To Hold the Sky

From gasoline-scented memories to the purple of maternal exhaustion, these poems capture the raw essence of Appalachian childhood and the profound wisdom of letting go.

Affrilachian poet Crystal Good, founder of Black by God West Virginia, laughs joyfully wearing a bright blue hat and floral dress against an Appalachian mountain backdrop, embodying her mission to amplify Black journalism in West Virginia.

Reclaiming History: Crystal Good’s Black by God

In this “Love Louder” feature, Crystal Good discusses her mission to amplify Black Appalachian stories through community journalism and cultural preservation.

Pink cherry blossoms falling against darkness illustrate Spencer K.M. Brown's Southern literary fiction about a boxer's struggle with his family's dying orchard. The image shows delicate pink cherry blossoms against a dark background, with scattered petals falling through the frame. This artistic composition mirrors the story's themes of the dying cherry orchard and cycles of loss and renewal. The contrast between the soft pink blooms and the dark backdrop echoes the protagonist's struggle between staying rooted and seeking change.

I’m Bound to Leave This Dark Behind

A small-town boxer fights with family obligations, lost love, and the pull of his roots as he chews on whether to sell his dying father’s cherry orchard.

Image of a Greek column that goes with poet Gary Grossman's poem about Athens Georgia history, and Southern college town history.

History Lesson, Athens, Georgia

A poet-ecologist’s morning run becomes a journey through time, revealing the layered history of a Southern college town.

A vintage black and white engraving repeated in quadrants shows a majestic buck deer with full antlers standing alert in a woodland setting, accompanied by resting does. The image accompanies Paul Jones' new poetry collection in Salvation South magazine. In the background, additional deer graze peacefully. The detailed crosshatching and classical style of the illustration evokes themes of natural dignity, endurance, and timeless relationships in the American wilderness. The mirrored composition creates a symmetrical pattern that reinforces themes of reflection and contemplation.

Fallen Monuments and Faithful Love

Nature is delicate. Lies are persistent. Love is steadfast.

Against a red and white striped fabric background reminiscent of a vintage tablecloth, a painted illustration shows a half-eaten apple core and three whole red apples. The core reveals pale flesh within its reddish-brown exterior, while the whole apples display subtle green undertones in their deep red coloring, creating a poignant scene that reflects Carrie Green's poem about family memories and grief through food symbolism.

Eating Apples

A family memory—as small as how Uncle Buck ate an apple—connects generations, even through loss and grief.

Artistic illustration depicting a blues musician bent over a red guitar, wearing a striped shirt and seated in a wooden chair against a rustic brown background. The stark imagery evokes the Robert Johnson blues myth and Mississippi Delta folklore of deals made at the crossroads.

Me and the Devil

A tangled web of truth and fiction surrounds blues legend Robert Johnson’s alleged deal with the devil. Listen to how this quintessential Southern tall tale obscured Johnson’s genuine genius.

Weathered hands wash dishes at a sink, with strong fingers gripping a sponge and glass under running water. The intimate close-up captures the raw authenticity of Lucinda Zoe's Appalachian poetry, echoing mountain family stories through the daily rituals that define faith up in coal country.

Not One Single Scar

Through vivid imagery and raw emotion, Zoe explores the complexities of faith, family, and identity in the heart of coal country.

I Was a Ferry Among the Stars

A poignant exploration of grief, memory, and the enduring connection to lost loved ones. In the streets of a city haunted by absence, solace is found in the eternal presence of those who have passed.

A stylized Southern Appalachian winter landscape illustration in shades of turquoise and white. Inspired by the words of poet Christ Wood, a full moon dominates the night sky, surrounded by concentric circular halos. Snow-covered trees with black trunks frame the scene, their branches laden with white snow. Snowflakes fall throughout the image, creating a dreamy, ethereal atmosphere. The composition curves upward toward the moon, creating a sense of movement and drawing the eye skyward through the snowy forest.

Dear Winter

Deep in the heart of the season, this Tennessee poet tells winter to bring it on.

When the World Opens Up

Christian J. Collier, a rising voice in Southern poetry, explores loss, faith, and the complexities of Black identity in the South. His work challenges traditional masculinity and interrogates the divine.

The Recklessness of Faith

President Jimmy Carter’s ultimate lesson to us might have been his faith in faith itself.